24 x 36 oil
Actually, this post has nothing at all to do with Finding Nemo, but this recent painting is one of the few seascapes I have ever attempted, and Finding Nemo is a catchy title that everyone probably has feelings about, so tip of the hat to Disney films. I'm waiting for the paint to dry a bit so that I can go back in to glaze more Manganese blue over the sky and get rid of the blotchiness that comes with working too soon to glaze it originally; I find that Liquin tends to lift up paint that isn't entirely dry, leading to frustrating results.
Another sketchbook portrait dashed off with more verve than normal, bigger sweeps of the brush, less concern for resemblance. I discover that the more I work at these, the easier it becomes to get down a face that is truly close to the model in terms of placement of features. The only measurement I tend to do now is when something seems really "off" and I measure after the fact to see which elements need to be changed.
I had a chance to finally drive out to the Columbia River Gorge this past weekend and witnessed for myself the damage done by this summer's wildfires. This is looking south from across the river in Washington, near Multnomah Falls, and the damage is obvious in the amount of red visible. Overall, however, I was surprised by how the forests seem to be checkerboarded, with many viable patches of trees left standing, and I am hopeful that the land will be able to recover, despite the danger of landslide now in spots. It may still be a long while before popular hiking trails are reopened.
Lastly, it is a marvelous time of year to observe the richness of color in the landscape as autumn begins to sink in her teeth, and not a day goes by that I am not out there in Nature being schooled about how many subtle variations on green there can be.