Virginia Wolf 11x14
I am investigating the classic method of underpainting the tones in raw umber and white, reserving all other color for glazes once the underpainting has dried, and I can see merit in the system, though it takes a lot longer than the alla prima method. It does focus me on the form, learning how to turn through gradual blending, rather than being distracted with involving change in color temperature as well. I will see how this turns out once the color phase goes on.
The thing about painting, whether outdoors or not, is that it is guaranteed that there will be duds along the way, and I have run into a series of them lately. Sometimes the original idea is exciting, but somewhere along the process it begins to fade, and the result, while bearing the fruit of some aspect of the idea, like color or mood, is not a finished painting.